This article on komusō in Kyoto was published on July, 6 1949 in The Asahi Picture News.
The origins of the komusō are rooted in China and begin with their founder, a monk known as Kyōchiku. It is said that he came to Japan from China and founded the temples that would later become Myōan-ji in Edo and Kyoto. Wearing his tengai and carrying his shakuhachi, he traveled throughout Japan, playing for alms. He is said to have established the rule that one must not return to one’s home temple until mastering all 36 pieces in the repertoire.
As times and people changed, the shakuhachi—once a purely religious instrument—became regarded as a musical instrument and even an art form used to support one’s livelihood. However, in recent years there has been a curious revival of komusō performing alms rounds and refusing to accept anything beyond donated alms, and female komusō can now also be seen.
This female komusō took up the path in the autumn of last year, stating, “The komusō path is the perfect training for these times. Day after day, I play Myōan pieces along the banks of the Kamo River.”
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Many thanks to Jared Sanford to the translation to English. I hope you have enjoyed the reading!






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